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Dread Zeppelin
Tipitina's Artist Evolved musically beyond style to become a state of being

Dread Zeppelin's renaissance continues with De Jah Voodoo*. De Jah Voodoo* is more than just the next Dread cd, it heralds a new era for our beloved Dread Zeppelin. The cd is so good that it confirms my belief that Dread Zeppelin has evolved musically beyond style to become a state of being. De Jah Voodoo* is not merely a continuance of the Dread Zeppelin saga; it is symbolic of the new Dread Zeppelin. This evolution is more than just change--it is a mystical transfiguration. Even the title suggests supernatural powers are at work! The Fun Sessions* and Spam Bake* reflect a gradual shift from the strict Zeppelin-Elvis-Reggae motif of former years. As Dread Zeppelin explores new musical styles, their music has become notably less self-conscious. Certainly their musical parentage is still evident but their music seems to flow from a sense of being rather than parody or self-parody. Like the religious observance of Voodoo, Dread Zeppelin is a collage, a collection of cultural and musical influences. Through the years, Dread Zeppelin has merged varied and different musical styles to achieve a perfectly balanced sound. Like their musical influences, Led Zeppelin, Elvis and reggae, Dread Zeppelin has absorbed an entire musical heritage and emerged with a unique sound. De Jah Voodoo* may prove to be the preeminent Dread Zeppelin work. I look forward to sharing your thoughts on the latest Dread Magum Opus. ~ Kerrio O'Presley .
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